Product Categories
Photography Background Papers 1.35 x 11 metres Car size 2.08 x 11 metres 2.72 x 11 metres 2.72 x 25 metres 2.72 x 50 metres extra wide 3.56 x 30.5 metres extra wide 3.56 x 15.2 metres Ella Bella printed Fadeless Patterned Seamless Paper Tuf-Flock Velour Chroma Key Fabric Varitone Graduated Backgrounds PolySilk Backgrounds PhotoDrape Backgrounds Diffusion and Reflector Vinyl Background Background Stands Motorised Background Support System Muraro Lighting Stands Background kits Photography Accessories Mounting Board Daler Rowney Graduate Shipping outside UKCart Contents
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While we make every effort to ensure colour representations on the site are as accurate as possible variations in appearance may occur. If you have precise colour requirements order our Chip Chart. |
Our new website for artists! artistpapers.co.uk for Strathmore® Artist Papers.
Specialist Watercolour Paper, Drawing Paper , Bristol Boards , Illustration Boards, paper for charcoal, pastel and marker pen.
Blue and Green Chroma key Fabric and Paper Studio Backdrops
Our highly saturated and accurately colour balanced Blue and Green Chroma Key background fabrics are ideal for high quality blue screen or green screen electronic compositing and consistent product photography and portraiture.
For chromakey usage information see our "How To" guide here.
Chroma key fabrics available in 3m x 9.1m rolls and 3m x 7.3m (10' x 24') folded sheets.
For chromakey background paper in saturated chroma blue or chroma green and four different roll sizes see background paper or search for "chroma" in the search box top right.
Blue and Green folded chromakey backdrop 3m x 4.8m £155 ex VAT (£186.00 inc VAT @ 20%)
Blue and Green roll chroma key backdrop 3m x 9m £350 ex VAT (£420.00 inc VAT @ 20%)
151100 Twistflex Chroma Green and Blue
Twistflex portable pop-up double sided chroma key background. Chroma Green and Chroma Blue.
[Product Details...] £175.00 ex VAT | |
The background rolls arrived safely last week. I haven't tried them all yet, only the sky blue and the polar white. I have to say I'm incredibly impressed. Both give a lovely density and consistency of colour, don't mark easily, and can be tweaked lots of ways in post-processing - they photograph much, much better than the colours appear to the eye in normal light.
